very limited trip from electro to cosmic

limited !

limited !!

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limited kanzleramt classics!

nice price deal !!! nightspot is a catchy, ny club anthem that mixes disco, french house and electro house. beg to differ (roy dank & nick chacona) do a stripped down instrumental disco dub remix. the b-side is a cool electrofied remix by ulysses of stephanie all night.

his first single >dooms night< (1999) sold more than 250.000 copies - now he returns with a big club belter on lektroluv, including remixes by tocadisco, sound of stereo and the drill!

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

falke is the nom de plume of falk golz from leipzig, who lived unseen in kanns musical neighbourhood. he already convinced with his seldom contribution for the family horror compilation and ties in now with an own melted down ep. follow the 3 inimitable dirty and trippy underground house-tracks and be curious about what can be expected more of him in the future.

luciano s cadenza imprint welcome fresh blood into their reputable fold of producers for the stunning debut cadenza ep from davide benedetti. italian davide, better known as davidino, has been making unforgettable impressions over recent years with his spell binding and peak time music, cadenza now proudly introduce davide benedetti and the >through the years< ep. kick starting with hearty kicks and menacing sirens, >can t do this< reeks of euphoria from the offset as tenaciously strung hats slam, cymbal crashes shimmer and tempos accelerates beyond bounds. flooding the dance floor with sheer force, davide plays with the core structure of classic house and techno music in >can t do this< as he builds and breaks for the ultimate fist punching opener. on the flipside, >through the years< presents >moody elise< with a dark and sultry bass line bellowing through the lower end firmly into our memories. chopping the track s structure with immaculate precision, moments of sophisticated brass break as spitting drums bind the groove once more. as always, davide injects his contagious energy into the ep with stomping, modern house music on >moody elise< as it begs for late night tales and debaucherous behaviour.

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

marcin czubala has been a busy man of late but the paper work certainly hasnt stopped the creativity flowing. whilst setting up his own imprint >your mamas friend<, for which he produced the first release, he is now back with a very strong ep for mobilee records >just away<. as someone who is always moving forward and looking to expand in new ways, czubala applies the same philosophy to his music production and this release presents a very fresh look on modern house music. >just away< features four tracks, each of which are expertly produced and have their own moment in the night, with much more bass, rawness and energy than his previous releases. whilst the title track warms the floor with drawn out synths and a expectant bassline, >memory lane< is an obvious peak time killer. meanwhile on the flip, >not like this< and >pleasure control< carry a calmer deep house vibe, but still enough of a kick to keep the floor moving. enjoy!

taking us deeper into the night are the four remixes: london veteran seiji fuses house and garage for a 6 minute roller, dfas juan maclean delves into his deep house roots with his new peach melba project, london duo compound one pay homage to gabriels uk garage roots with sweet old school 2 step and hyperdubs ossie turns in a decidedly trippy uk funky hybrid.

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

the great strength of feindrehstar lies in their engaging and dynamic live-show on the stage. if you see them once, you must see them again. whether metalhead with a glass of beer, a dreadlocked queen or standard- issue club-goer, this band moves everybody. that feindrehstar also crafts music that from its source warmly hugs the listener is another plus they have going for them. these are supported on the latest from musikkrause by producers such as axel reinemer (jazzanova), michel baumann (soulphiction) & wendelin weiflbach (metaboman, krause duo).

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

during a time when its more fashionable then ever to sample kenny dixon, >alright< uses a small and respectable vocal splice that references ferguson himself, marvin belton, & ferrispark records. heavy bass and beats eventually mutate into a smooth late-night house jam. side b laced with chatter, cheers, and claps resonates a >block party< feeling accompanied by chords, strings, sub-bass, and disco loops. enjoy! party people

launching in november of 2009, subb-an & adam shelton present one records. cultivated directly from four years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most.

music man records is proud to present the long awaited second mix-cd from marcel dettmann, resident at the notorious berghain club in berlin since even before it was called like that, and one of the key artists on their label ostgut ton. marcel dettmanns previous mix-cd was named best mix-cd of 2008 by resident advisor. last year he released his debut album dettmann to high critical acclaim. in the meantime he is also building the profile of his own label mdr, and of course he stays one of the most in demand remixers around.
the tracklist of conducted includes again a mixture of new to be discovered talents, old to be re-discovered gems, and a few usual suspects, such as sandwell district, redshape or shed. conducted is a timeless mix from one of the most important players in todays techno scene.
this is the first of two vinyl samplers, including tracks by bluemoon productions (1990!), morphosis, signal & fbk.

after their tremendously popular > famous ep< from earlier this year - which with the erlend oye-sampled > raindrops< featured one of the secret weapons of this rainy summers festival season - colognes most lovely hotspurs are back with a bang! >gravity< perfectly captures the raw energy of their live sets. highly infective staccato basslines and a thrilling storytelling characterize this class a stomper. the flipside tracks operate on a deeper level. >total dly< sounds like an homage to fellow colonian the modernist with its jumpy yet elegant chord patterns while the lullaby-ish - fiction- is the perfect end-of-the-night track complete with a tender vocoder chorus and all. what sets coma apart from most of their competition out there is their capability of creating emotive, highly recognizable music that is as much pop as it is techno. which obviously makes them as kompakt as can be.

including big remixes by hugo and lazaro casanova. pressing on translucent vinyl.

limited to 500 - all on transparent vinyl.
we are delighted to announce the release of outfits first single >two islands<. we first heard the band a few months ago with their dark mini-narratives >killer< and >every night i dress up as you<. while those two songs offered a slightly hidden introduction to the group their subtle transmissions step out into plain view on >two islands<. the song is slow building, euphoric, and meditates on loneliness, absence and the constant flickering of real life.

full drumming, a grumpy chord sound embraced from a dark, rebelling melody line like out of the old rave days and the demanding voice from the massive track internal, which calls the >soldier< with his name. remixer rolf mulder mills with darkly digging sequences and creaky acid effects sharp edged points in the sole of the dancers, so that these also find enough hold on the slant melodies. >skydive< makes in the matter of grooving also thick cheeks. the track rumbles more and more elegantly than stoic through the space and pulls from the propulsive combination of the vocal-hookline and the harmony changes a well-arranged serving of pop flair which cuts the darkness of the night with a flashing blade from light. toureaus impact version of >skydive< serves 8-bit like clicking in the treble area, swears to the rhythmical spirit of the good old days and asks him for a bouncing dance on the floors in the here and now.

next up in studio barnhus split coloured 10 inch series (the previous installment was acid andy and axel boman on yellow vinyl) is handsome newcomer hnny and barnhus very own desperado kornel kovacs. on the a side, hnny takes a saccharine rnb cover of perhaps the greatest power ballad ever and turns it into a perfect little edit – as simple as it is inspired, this is an obvious end-of-the-night-turn-the-lights-up-in-the-club-anthem if we ever heard one. on the logo side, kornel kovacs brings the heat with down since 92 - a bass-driven, vocal-laced pop house song about hate, love and jealousy. break it down! red vinyl, no digital - limited to 300 copies worldwide. barnhus bang the party once again! freshness.

following their remix of ludwig coenen for tlm022 and a string of celebrated releases for nachtstrom schallplatten and perc trax, toronto s frederik hatsav and jamie kidd rejoin the thoughtless fold under their metalogic guise. enlisting new york techno veteran dietrich schoenemann on the title track, the trio delivers a sleek combo of pure analog bass and metallic percussion, resulting in an unrelenting yet stripped-down futuristic club workout. overseeing remix duties is techno legend bryan zentz. his first of two solutions, the empty vessel dub dives deep into late-night territory, employing the irresistible bass line of the original and embellishing it with sparse synth work and echoing atmospheres to stunning effect. as a digital bonus, zentz offers up the kenosis shuffle mix, providing added bounce with a boosted low-end while taking a house-leaning approach in the drum department and adding detroit-style stabs for good measure. on the flip, dark shines is a heady ride, intoxicant atmospheres and dynamic yet subtle arrangements solving as a mystical techno prime. whether exploring the outer reaches of modern techno or twisting up their uniquely abstract take on tech-house, the result is pure quality..

the transition from hip hop dj to dance music producer is not always an easy one. it is a path littered with countless fitted caps, baggy jeans, and backpacks. yet throne of blood s oneauff has walked this path and emerged unscathed. originally from north carolina, this long time brooklyn resident is no stranger to tob, having released two singles with production partner eamon harkin (mister saturday night/subway series) as well as remixes for populette, corinne (on the prowl), and the neurotic drum band (wurst music co.). though oneauff (known to the government as steve raney) has also been heard a couple solo releases including a digital-only single on buzzard gulch and a remix for cubic zirconia (dont cry recordings), the heavy heady ep is his most fully realized and developed. it s also among the most gorgeous records throne of blood has ever released.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

after several successful releases on different labels, daniel bortz now returned to the pastamusik home base. the ep features three classic influenced house music burner tracks. from the heart of darkness, straight into the bright light of the global dance floors. a swinging irresistible ear candy that will stimulate your senses

neon dreams is the debut album from london-based producer and night slugs co-founder james connolly, aka l-vis 1990. across 15-tracks and 55-minutes, james distils a lifetimes worth of musical influences and experiences while conveying the story of the last 12 months in his life through vocalists samantha lim and javeon mccarthy. 2010s *forever you* single, which featured mccarthy, was a key jumping off point in establishing the overall vibe of neon dreams. the track features here as a slimmed down, 3.5 minute version. this length represents approximately the average track-duration across the entire lp, and is indicative of james long-held desire to proffer an album in very much the traditional sense of the term. further vocal turns come from co-founder of the sound pellegrino imprint and french hip-hop outfit ttc, teki latex.

the great follow-up album to >the seldom seen kid< comes as limited edition double 12 inch, cut on 45rpm and delivered in gatefold cover

the ever uplifting sounds of the submissions back in the djs bags once again. rantan & kamaxo set the pace!

heavily steeped in classic detroit influences, but fused perfectly with contemporary urban and disco tinges that melt into a single and unique sound...the mysterious klic announces his arrival on the house scene with a highly impressive debut on home taping.
>disco music< borrows from here, there and everywhere as it glides, hisses and nods its way on a heavy groove-based journey through sound. on the flip >bump< grinds, wobbles and teases every ounce of rhythm it can then pumps it out through its deep grooves as it longs to be free.
100% house music with bits. play it all night long!
dj support: leo zero, chris duckenfield, 6th borough project, luke solomon, nicholas, jazzanova, llorca, rob mello, cottam, harri, jimpster, kiko navarro, stu patterson, andy ash, red rack em, social disco club, deep space orchestra

summer has all but gone as the darkness draws in, the clocks go back, and fina records releases something a little different for the night owls. cosmic dutch space cadets morning factory step up for fina 005 with a slow motion rhythm and tone ep. having previously appeared for yore records and brother from another mother 2020 vision, the guys have been busy in the windmill whittling a perfect autumn release. sultans of swing ep doesnt quite shadow dire straits but it certainly delivers. hypnotic title track of the same name is features futureproof basslines, layered with an enigmatic drowning echo-led synth while >lady< adds a different finish to the wax. here we find d angelo s 96 vocal hook effortlessly breaking through the shuffling punchy bass.

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

alec troniq & raumakustik present this nice 4 tracker on deich records. this ep call back the summer in our minds! a short holiday on vinyl! relax and dance into the night...good for all lovers of techhouse.

above smoke & ernie in a shared hot four tracks ep. ernie starts the fire with >delicious time<, a killer gospel-house song with acid turns for these late night moments. >running< represents the jazzy deep face of above smoke. otherwise, with >grooving you< he ups the tempo to the groove zone. finally ernie closes the 12 inch with >funny break< a tense downbeat experience for demanding gourmets…

sophomore ep by brooklyns new house prodigy willie burns, who has been honing his craft under various guises for the better part of a decade. expanding on the foundation laid on his l.i.e.s. ep earlier this year, here we see willy take a more aggressive approach towards more commercial territory... errrm as if... in any case, classic house tunes with a ny twist.

this voyage starts … in deep euphoria! consistent with the previous aesthetic audio releases, yasuo satos (japan) formula for the number 13 release from aesthetic audio is an wonderful rollercoaster of deepness, raw substance and timeless music that clearly will keep heads nodding … can you see the light?

seit seiner ersten veröffentlichung auf bpc vor drei jahren pflegt thomas einen unverwechselbaren sound, dessen eigenwillige und detailverliebte soundgestaltung den eindruck stetiger bewegung bei gleichzeitigem stillstand vermittelt. die daraus resultierende spannung erweckt eine ebenso unwiderstehliche wie eigenartig anmutende, maschinenhafte lebendigkeit. während thomas sein klangliches markenzeichen auf vergangenen eps und remixen - u.a. für telefon tel aviv und cormac - perfektioniert und etabliert hat, stösst er nun mit jedem track seiner aktuellen ep >neurones< neue türen auf.

thomas feriero, aka avatism, brings his >thought patterns< to souvenir this fall season. and just as autumn is, the ep inspires a feeling that only the cool moist nostalgic night time air of autumn can bring.

the path of hybrid is a specially constructed three-disc compilation that has been designed to chart the musical history of cari lekebuschs h-productions label. containing almost fifty tracks, the album blends re-mastered tracks from the labels deep catalogue with specially commissioned re-edits and remixes of classic hybrid tracks and the pick of new music from the current h-productions roster. the album is presented across two continuous dj mixes, compared by alexi delano (past mix) and cari lekebusch (present mix) plus a third unmixed disc containing previously unreleased tracks and remixes from the h-productions vaults.

following up the scorching debut release another night, deep&disco recordings sidesteps the sophomore slump with elisco, an infectious electro-funk groover that both cements the labels commitment to quality and expands their musical range.
a chunky nu-disco track with hints of metro area and a catchy vocal hook, the seeds of elisco were planted in the early 2000s when label founder jkriv and lou teti were sharing a loft space in williamsburg, brooklyn. after an afternoon of cowbells and synths, the skeleton of the track had its shape, and their other roomates girlfriend was enlisted to sing the hook. she had no singing experience (or rhythmic sense) to speak of, but somehow it all worked and elisco was born! although its always been a personal favorite of the producer duo, the song remained shelved for almost 7 years until they dusted it off in early 2011 and readied it for release on the newly minted deep&disco recordings.
providing remixes for the vinyl release are the legendary leftside wobble, who turns in an extended and bpm-d-up version quite true to the original, taking the machine vibes to the next level with added loops and fx. brightons alphabet city brings the disco-boogie sensibility to the package with a deep mix that features jkriv on live bass, and whiskey disco regular sleazy mcqueen rounds it out with an indie dance stomper.

paul loraine first appeared on bigger deer back in 2010 as a remix artist, tackling ryders >thursday night<. armed with a two track ep, paul returns!
the title track, >envy<, being one deep & dark stripped-back number - groove & grind house music! >once again< creates a blissed out, futuristic dub vibe. warm synth hits and vocals coming at you from every side.
plus two remixes of >envy< from soma heavyweight, funk d void and bigger deer boss, lewis ryder.

nice price deal !!! incl marc houle remix !! played by jennifer cardini, r. hawtin, chloe, magda, tiefschwarz, agoria, mandy and luciano. exone hits double digits with dave vega releasing number 10. dave continues where he left off by unleashing the next two tracks based on his convincing crisp, pumping grooves and just the right amount of melodic edge. marc houle adds his remixing talent to round out the ep which playfully hits the spot in the middle- ground between techno and house

double vinyl album, including code for free digital download of the release.

raw and dirty phunkin chicago house ep...

after a series of classically oriented 12 inches with deep debts owed to old school detroit and chicago vibes, remain & mlle caros release stands out as a thoroughly modern model of analog dancefloor ammunition. while >heat< and >rogue< dispense with homage and go for the jugular with darkside intensity, the remixes hand chosen by remain and caro open things up, revealing undiscovered dimensions to the music. holmar filipsson from thugfucker (life & death records) teams up with neurotic drum bands ulysses to transform >heat< into a mid-tempo disco chugger heavy on the drums and boogie bass. populette unleash a late night dancefloor bomb complete with hypnotic arpeggios for their corking refix of >rogue<.